eynavrosolio

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	<title>eynavrosolio</title>
	<link>https://eynavrosolio.com</link>
	<description>eynavrosolio</description>
	<pubDate>Sun, 04 Jun 2023 10:00:18 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://eynavrosolio.com/Home</link>

		<pubDate>Tue, 09 Feb 2021 19:54:04 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

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		<title>Mediterranean Heterotopies #2</title>
				
		<link>https://eynavrosolio.com/Mediterranean-Heterotopies-2</link>

		<pubDate>Sun, 04 Jun 2023 10:00:18 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

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		<description>Mediterranean Heterotopies #2
	
Mediterranean Heterotopies #2 è una instellazione sonora dedicata a ClubMed Achziv, un luogo che ha fallito nell’intento di proporsi come utopia per i visitatori di tutto il mondo. Un incontro di diverse narrazioni e percezioni, ricordi dimenticati e miti - iniziato in epoche diverse e curato in un senso spaziale. Un gesto performativo nei confronti della storia e del destino del luogo, in cui la coreografia si fa strumento di studio e ricordo.Creazione: Eynav Rosolio


consulente: Guillermo de Cabanyes

Sound design: Itzik Avizohar, Galia Einey.
Voce e ricerca archeologica:&#38;nbsp;Netanel Rinon

Safar Barlik by Hadi Zeidan


DAS - Dispositivo Arti Sperimentali


COLLAGENE - proteine culturali


Maggio 2023, Bologna.

pics: 
Carlo sgarzi


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		<title>HANDS UP!</title>
				
		<link>https://eynavrosolio.com/HANDS-UP</link>

		<pubDate>Sun, 19 Jun 2022 19:43:04 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

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		<description>
	HANDS UP!&#38;nbsp; -&#38;nbsp;Mediterranean Heterotopies #1


Mediterranean Heterotopies focuses on ClubMed Achziv, a site which failed to maintain itself as a utopia for visitors from across the world. A piece of land that is repeatedly being abandoned. 
Achziv (in Hebrew: I will disappoint) coastal strip lies between the Israeli northern city of Naharia, and the Lebanese border. Achziv strip contained the ruins of a Palestinian village الزيب), Az-zeeb), an abandoned ClubMed camp, a nature reserve, bathing beach open to the public, and a self-declared micronation (Akhzivland), founded in 1972 by Eli Avivi. 
Evidence of human settlement at the site dates back to the 18th century BC. By the 10th century BC, 
it was a prosperous and fortified Phoenician town.

This beach is part of the landscapes I could see from my window as a child, and which were of fantasies, imagination and familiarity, sometimes colored in terror and bombing. The perception of that strip was always boarded by the sea from one side, and the northern Lebanese mountains from another. 
I am approaching this piece of land as a distantly related visitor, trying to capture a few moments initiated in different eras, and curate them in one spatial sense. using the stage to rethink them. bringing together different narratives and perceptions, forgotten memories and myths. Questioning the ability of a place to set free out of its own destiny.
	
Documentations of the unique architecture, interviews with past workers, archeology study group, visits to the sites as it stands abandoned today – are all part of the rehearsal process. making choreography about a place in order to study a place. Remembering it as a performative action.
The project's first output: “Hands Up!” was presented on Kelim Festival at Kelim choreography Center, Bat Yam, Israel (May 2022).


Performers: Noa itzhaki, Uri Duvdevani, Eynav Rosolio.
Sound design: Galia Einey.

Light Design: Baruchi Shpigelman.
Light Object: Ofer Laufer.
Special Thanks to Nethanel Rinon.

The piece was supported by Yehoshua Rabinovitch Tel Aviv Foundation for the Arts, and&#38;nbsp;

 Kelim choreography Cente.Pics by Tamar Lamm and David Kaplan. 
Archive pics by Steve Tomas.


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		<title>Nature of the Beast</title>
				
		<link>https://eynavrosolio.com/Nature-of-the-Beast</link>

		<pubDate>Fri, 30 Jul 2021 13:51:50 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

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Nature of the Beast&#38;nbsp;


	As a statoscope which listen to the pulse
of a certain living environment, this is a stage
which is both a performance and an Image of a conciseness zone. 
End of a night,
end of a fire, dawn.


In this process I have gathered materials
which echoes obsessively into my works but always as guests. A synthetic living environment which contain these materials, and allow the rhythm and duration to observe them – a slight gaze, obscure happening,
that does not rely upon explained textual meaning. At the heart of the piece
lies an invitation: to touch
zero from all its angles and sides, to establish a new ground in “areas of
minimum” - of body, of rustle, of expression, of image and transfiguration.
Areas of little control and coherence which holds a potential for solidarity
through the corporal images that rises. Moods, states of matter, positions and spontaneous
dances, charged in a catching quality.
 

Research and context: 


In our encounters with the world, there
are sites in which our experience forms verbal knowledge, and therefor they are
considered as valid (profession, family, sexual and political identity, etc.) In
these sites we place our position by an external set of rules, which is
superior to us and definite.&#38;nbsp; Our
encounters with other beings are also formed by this set of rules. by it, we
perceive ourselves as well as the other. under this disposition, the existence is
embodied in action. According to that,
 non-action is a state of absence. &#38;nbsp;&#38;nbsp; 


Other encounters with the world, sites of
intimacy, which words fail to describe, are therefor in-valid to the absolute
set of rules and are not regarded as sites of knowledge. They necessarily exist
outside the languages.In theater, lies a very
intimate connection to the world. In it, one recognizes herself and the other,
in a way which overcome the limits of the human verbal ability. It succeeds to
be intimate because it is not obliged to the contextual sense.

In this work, spectators are invited to
a site that examines the tensions between action and non-action. This
site allows processes of recognition, experience and internalization.


The piece is part of an ongoing research
which deals with expanding the meaning of the term Passivity. As part of
the research the following works has been created: Antarctica (2015) But he hesitated (2018) Nothing
happend (2020).


Performers: Michal Arad, Nir Vidan and Eynav RosolioLight and set design: Ofer LauferSound design: Niv GafniObject and costumes design, live making: Yasmin SteinmetzArtistic consulting: Galit Criden and Nurit Dreamer


The piece is supported by Mifal HaPais, 
Yehoshua Rabinovitch Tel Aviv
 Foundation for the Arts, Miklat 209 and 
Hazira theater.&#38;nbsp;
2.10.22 - Catalysi Festival, Teatro Comandini, Cesena.
7-8.11.22 - Autumn Cult Festival, Hazira, Jerusalm.
10.1.23 - Hazira, Jerusalem.


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&#38;nbsp;


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Pictures by Eyal Lally Bitton</description>
		
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	<item>
		<title>לא קרה כלום  </title>
				
		<link>https://eynavrosolio.com/17918103</link>

		<pubDate>Thu, 07 May 2020 21:07:08 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

		<guid isPermaLink="true">https://eynavrosolio.com/17918103</guid>

		<description>
	
	
לא קרה כלום I Nothing Happened 

	
Video. 6 min.Directing and Performing: Eynav Rosolio
Videography and editing: Nivi Lehavi


Presented on:


Hazira - עקרות בית נואשות בין יאוש למימוש
ON HOLD online exhibition

HARAMA Magazine&#38;nbsp; #30Exit through the sideways door by&#38;nbsp;LOCULUS Collective


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	<item>
		<title>Two Gardens שני גנים</title>
				
		<link>https://eynavrosolio.com/Two-Gardens</link>

		<pubDate>Sun, 24 Nov 2019 12:50:35 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

		<guid isPermaLink="true">https://eynavrosolio.com/Two-Gardens</guid>

		<description>
	Two Gardens

by Eynav Rosolio  and Carmel Bar

Performers: 
Celeste Messina Agostinelli, Eleonora Bonino, Nitzan Raich 
Dima Utro, Carmel Bar and Eynav Rosolio.

Sound design: Niv Gafni

Lighting design: Ofer Laufer

Costume design: Yasmin Steinmetz


The work includes video images from the piece “Neshel” by Yasmin Steinmetz.


Pictures by Amit Mann


With thanks to Fabio Ruggirello, Claudia Castellucci, Giacomo Battaglia, Dominque De Martiis, Ahmed Ben Nessib, Michal Evyatar, Yaara Rosolio.

 Premiered on The Gathering Festival by HaZira.
Jerusalem 2019 

The work was supported by Mifal HaPais Council for the Culture and Arts and the Italian Culture Institute.
	
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		<title>Libagione נסך</title>
				
		<link>https://eynavrosolio.com/Libagione</link>

		<pubDate>Sat, 23 Nov 2019 15:39:40 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

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	Libagione&#38;nbsp;נֶסֶךְ

Attorno ad un fiume abitato da ninfe cacciatrici, scrutiamo tra i cespugli questo mondo familiare e proibito, tesi, sospesi, affamati.

Directed by Carmel Bar and Eynav Rosolio

Participants: Celeste Maria Messina Agostinelli, Ahmed Ben Nessib,&#38;nbsp; Eleonora Bonino, Carmel Bar, Eynav Rosolio

Sound: Niv Gafni

Video: Yasmeen Steinmetz

Special Thanks to Claudia Castellucci, Giacomo Battaglia, Dominque De Martiis

Scuola Conia, Teatro Comandini, Cesena 2019
	
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&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/75eb4e20ecd4dab89a9701d9ff390221acf2b94e3c7d735c657c92be4b25ed7e/IMG-20190716-WA0054.jpg" data-mid="131861873" border="0"  src="https://freight.cargo.site/w/1000/i/75eb4e20ecd4dab89a9701d9ff390221acf2b94e3c7d735c657c92be4b25ed7e/IMG-20190716-WA0054.jpg" /&#62;
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	<item>
		<title>But He Hesitated / מתמהמה</title>
				
		<link>https://eynavrosolio.com/But-He-Hesitated</link>

		<pubDate>Sun, 07 Oct 2018 18:41:11 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

		<guid isPermaLink="true">https://eynavrosolio.com/But-He-Hesitated</guid>

		<description>
	But He Hesitated l&#38;nbsp;מתמהמה


Video, Sonic object.

Performer: Dotan Shemer

'Sdom' - Artists Beit Midrash exhibition.
 Neve Shechter, Tel Aviv 2018


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</description>
		
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	<item>
		<title>COCOONING</title>
				
		<link>https://eynavrosolio.com/COCOONING</link>

		<pubDate>Sun, 12 Jun 2016 14:37:54 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

		<guid isPermaLink="true">https://eynavrosolio.com/COCOONING</guid>

		<description>
	Cocooning

Choreography of different human states of matter, embodied by four participants.

Created by:&#38;nbsp;Eynav Rosolio 
Performers:&#38;nbsp;Natalia Gomez, Odea Gabai, Guy Cohen and Eynav RosolioPicture by: Uri Rubinstein, Noam Alon and Nivi Lehavi.


Jerusalem 2014


&#60;img width="784" height="960" width_o="784" height_o="960" data-src="https://freight.cargo.site/t/original/i/9113cf7cab7a300a4070661cb2dfa9e0a56c8c98918ae11d90f9881effc48f9b/uri4_o.jpg" data-mid="98359837" border="0"  src="https://freight.cargo.site/w/784/i/9113cf7cab7a300a4070661cb2dfa9e0a56c8c98918ae11d90f9881effc48f9b/uri4_o.jpg" /&#62;
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	Hosted on Shahaf Predilailo SALT - WATER exhibition.Bezalel Academy, Jerusalem 2014.&#38;nbsp;


&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/1251fac8af2241325af5253e7870026e0082c3cb2ca88a0c84759d19c1e60f8b/-2.jpg" data-mid="98359842" border="0"  src="https://freight.cargo.site/w/1000/i/1251fac8af2241325af5253e7870026e0082c3cb2ca88a0c84759d19c1e60f8b/-2.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>SOFTSHELL</title>
				
		<link>https://eynavrosolio.com/SOFTSHELL</link>

		<pubDate>Sun, 12 Jun 2016 15:08:52 +0000</pubDate>

		<dc:creator>eynavrosolio</dc:creator>

		<guid isPermaLink="true">https://eynavrosolio.com/SOFTSHELL</guid>

		<description>
	Soft Shell

A spontaneous re-construction of an unchoreographed dance.
 A privet ceremony embodied by gestures and sound. Desperately expressing, crying, dancing... through the body of a close stranger.
 
A tribute to Tom Waits's "Chocolate Jesus" performing live on David Letterman.

Created by Eynav Rosolio 
Performers Sia Preminger and Eynav Rosolio.

Photos by: Amit Mann


Jerusalem&#38;nbsp;

2015
	

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